my new Website
https://www.natalia-solomonoff.com or https://www.nataliasolomonoff.com
Natalia Solomonoff (1968) is a composer born in Rosario, Argentina.
First composition studies with Jorge Horst, Mariano Etkin and Diana Rud. Courses with Gerardo Gandini, Francisco Kröpfl, Carmelo Saítta and others on a scholarship from Fundación Antorchas (Argentina). From 1997-98 she has composition studies with Nicolaus A. Huber at the Folkwang Hochschule Essen (Germany), on a grant of the “German Academic Exchange Service” (DAAD). From Nov. 2008- Feb. 2009 she attended courses with Mathias Spahlinger at the Institut für Neue Musik Freiburg, on a grant of the DAAD.
https://www.natalia-solomonoff.com or https://www.nataliasolomonoff.com
Natalia Solomonoff (1968) is a composer born in Rosario, Argentina.
First composition studies with Jorge Horst, Mariano Etkin and Diana Rud. Courses with Gerardo Gandini, Francisco Kröpfl, Carmelo Saítta and others on a scholarship from Fundación Antorchas (Argentina). From 1997-98 she has composition studies with Nicolaus A. Huber at the Folkwang Hochschule Essen (Germany), on a grant of the “German Academic Exchange Service” (DAAD). From Nov. 2008- Feb. 2009 she attended courses with Mathias Spahlinger at the Institut für Neue Musik Freiburg, on a grant of the DAAD.
She has received numerous composition prizes
and awards including the Premio de Composición Juan Carlos Paz- Fondo Nacional de las
Artes-, the Subsidio a la creación
de la Fundación Antorchas, the 2º
Premio 70º aniversario de Sadaic- Concurso Latinoamericano de Composición de
Obras Sinfónicas “Guillermo Graetzer” 1936 – 2006”, Premio de Composición de la Asociación EDITAR, Premio de Composición de la Sinfonietta Omega (Dir. Mtro. Gerardo
Gandini), Subsidio a la creación artística
de la Universidad Nacional del Litoral-Proyectos CREAR, other scholarships
and awards from the Centro Mexicano para
la música y las artes sonoras (CMMAS), Subsecretaría
de Cultura de la Provincia de Santa Fe, Ministerio
de Educación y Cultura de la Nación, Camping
Musical Bariloche. Her music
was performed in numerous concerts and festivals in Europe and America.
Natalia Solomonoff has received invitations and commissions
from international Festivals and ensembles and orchestras such as the Festival Weaving Music for Radio
by Latin American Women Composers (Curitiba,
2018), XXI Festival de Música
Contemporánea del Teatro General San Martín
(Buenos Aires, 2017), Ciclo de Conciertos
Monográficos Biblioteca Contemporánea (Biblioteca Nacional, Buenos Aires,
2017), the Orquesta Experimental de Instrumentos Nativos (Bolivia, 2016), the
IIIº Simposio Internacional de Música Nova (Brasil, 2016), the Forum Nueva Música (Córdoba, 2016), the Internationales Festival für Neue Musik
Provinzlärm (Germany, 2015 and 2012), the VI Encuentro Internacional de Compositores (Chile, 2014), Chiffren: Kieler Tage für neue Musik
(Germany, 2013), Festival Ciclo de
Música Contemporánea del Teatro General San Martín (Argentina, 2017), Ciclo Biblioteca
Contemporánea at the Biblioteca
Nacional Mariano Moreno (Argentina, 2017), the Orquesta Sinfónica Provincial de Santa Fe, Ensemble Aventure (Freiburg), Ensemble
Reflexion K (Eckerfnörde), Ensemble
La Machine (Montreal), Ensemble L’echelle (Montreal), Duo MEI-música para flautas (Buenos Aires), among others. In 2012
she was a guest Composer in Residence
at the Schlesswig-Holsteinisches Künstlerhaus
(Eckernförde) and in 2016 at the Orquesta
Experimental de Instrumentos Nativos -OEIN- (Bolivia).
As a scholar, she has published in specialized
magazines and books from several publishers such as Casa de las Américas (La Habana), Musiktexte (Köln), Revista Pilacremus (UNAM, Mexico), Gourmet Musical
(Buenos Aires), Institut Iberoamericano de Berlín/ Iberoamericana-Vervuert
(Frankfurt am Main- Madrid), Biblioteca Nacional (Buenos Aires), Suono Mobile
(Córdoba). Her music was recorded by the Universidad Nacional del Litoral, Fondo Nacional
de las Artes, Asociación Editar, ACC
Ediciones.
Since 2014 Natalia Solomonoff works at the Instituto Superior de Música de la Universidad Nacional del Litoral in Santa Fe where she teaches composition and at the Instituto Superior del Profesorado de Música in Rosario where she teaches musical analysis and in which she is in charge of a workshop about musical experimentation.
Since 2014 Natalia Solomonoff works at the Instituto Superior de Música de la Universidad Nacional del Litoral in Santa Fe where she teaches composition and at the Instituto Superior del Profesorado de Música in Rosario where she teaches musical analysis and in which she is in charge of a workshop about musical experimentation.